Mirva

BIO

I graduated as a Doctor of Dance from University of Arts in Helsinki in 2018. My doctoral research is about Somaesthetics of Contact Improvisation. Artistic research is focusing on values in contact improvisation and how it is presented in a somaesthetic performance context. I graduated (MA) from the Dance Department from the University of Arts, Finland in 2000, before that I did masters of Physical Education from University of Jyväskylä.

In dance I am interested in the feeling of flow and research of kinetic energy. I love to investigate movement, its rhythm and different ways of inhabiting the body. A feeling of dancing is created by management of gravitational forces, falling responses and inertia.  

My Choreographies, Dance Pedagogy and Art Pedagogy refers to artistic activity infused by pedagogical viewpoints, generating a field of continuous learning. My choreographies provide a strong foundation for creative and critical thinking, as well as development of solid artistic-pedagogical skills. I believe that making art is based on listening to and encountering each other. It is an open process of interaction and learning, where we step into the unknown, take risks and try out new ways of doing.

From 2000 onwards I have worked as a dance teacher, choreographer and lecturer for dance at the Kallio Upper Secondary School of Performing Arts. During the last 25 years I have been teaching in several international dance schools and professional dance companies including for example Cullberg Ballet in Sweden. I am regularly teaching bachelor and MA students in University of the Arts, Helsinki.

I have been working as an choreographer and as a dancer with many different dance companies and choreographers, here few of them: Helsinki Dance Company, Tampereen Työväen Teatteri, Center for new dance Zodiak, Dance theatre Minimi, Dance company Karttunen Kollektiv (choreographer Jyrki Karttunen), New Circus Company Circo Aereo, choreographer Joona Halonen, Echo Echo dance company (Northern Ireland), collaboration with Frey Faust and collaboration with Joerg Hassmann. During 2014-2024 I have been working as a dancer with finnish choreographer Valtteri Raekallio. I have  been performing and teaching contemporary dance internationally in more than 40 different countries.


Horizontal falling

Contact improvisation is based on the communication between two moving bodies that are in physical contact and their combined relationship to the physical laws that govern their movement; gravity, momentum, inertia. The body, in order to feel these sensations, learns to release excess muscular tension and abandon a certain quality of willfulness to experience the natural flow of movement. This workshop will include rolling, falling, being upside down, following a physical point of contact, supporting and giving weight to a partner. We will aim towards movable support and gentle flying technique. This could be also called horizontal falling.